My dad used to tell my brother and me about this Stanford study––
a child sits alone in a room with one marshmallow on the table.
She can eat it now, or wait fifteen minutes and get two.
The patient ones, the researchers said, grew up “better”:
higher scores, better jobs—probably very white teeth,
and neatly trimmed nails to match.
Maybe the problem with art isn’t AI.
Maybe the problem is with us and our unconditional marshmallows:
our bottomless appetite for self-check-out and
same-day delivery and
auto-generated playlists and
movies on their thirteenth sequel
and then the fourteenth.
Maybe the problem is with us —
We want the reward
before the risk,
the win
before the work,
the poem
before the feeling.
Maybe the problem is with us —
The ones who hate homemade
unless it comes from a box
with a picture on the front
and instructions on the back.
The ones who say we love “the human touch,”
but only when it’s fast,
sanitized,
pre-approved.
The human footprint is made of carbon.
And the human experience can be regurgitated by a hexagonal knot.
Yet still—
it’s brushing your teeth and clipping your nails,
or growing them long enough to play the guitar.
And it’s something else that I can’t seem to place.
Maybe just that: not knowing what you’re doing
but doing it anyway.
Maybe that’s the point.
Because when they redid the Marshmallow Test,
they found it doesn’t reliably predict much of anything.
Turns out, failing to wait
doesn’t make you a failure.
Turns out, trying—again and again—
is the most human thing of all.
Refined with Gemini.
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